“SUN IS LIFE”

Sun is life, sun is heat, and without it we couldn’t exist!
In the first room, “the sun room” rising suns are represented, put in white blocks, placed in order to create a gull’s wings: they  symbolize  the passing of our star during the day and the human race evolution.
In the second room “the morning room” a series of panels represent the galaxies formation and man creation.
In the third room “the afternoon room” other panels take us again to the birth of galaxies and woman creation.
The ancient recall between man and woman is emphasized by the insertion of “the afternoon sculpture” in the “morning room” and – on the contrary - “the morning sculpture”  in the “the afternoon room”.

Davide Binello

For a long time I have wondered if it was not my simple personal need the idea of realizing a Clinical Pilates Centre where art and welfare could mix in one, and, above all, if it could be logical.
Before my face became an ocean of wrinkles, I decided one night, that appeared as flat as a morgue, that all in my head had become very clear and I understood what I wanted: some images to be read and touched by  eyes.
Still  maintaining the opinion  that physical recovery and art follow different methods and ways, I want people to consider that these ways are not so far.
It’s not rare in  shape recovery, or, if we want, in health recovery to let the student follow                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        the outline or the sign to imitate,  hoping in a recovery moment released from the rules of normality.
Is only a set up agreement that , without certain rules, recovery ends in a confusion of signs or can it be considered a form of artistic expression with physiotherapeutic foolish ambition?
Trying new therapeutic interventions by means of the sight is not a new thing, as well  art as  therapy is an already seen and successfully tried thing.
Putting the student in a habitat full of art  may help him to do better and get over the physical pain.
Well, this is my idea.
I want to make my student take  part in his exercise  and at the same time to make him enjoy the reflex of colours and of vitality of the art works which are around him.
A  mind-body  space where records of work live in unison with the works which are around him.
Pictures to be touched by hands and eyes, fixed points that can be taken as terms of comparison, works to be valued in order to visualize from time to time different moments during the work sitting.
And so, mood that flies high for a recovered happiness.

Marco Ciervo

The concept of psycho-physic fitness and  expressive art forms  from ancient times have shared a common destiny turned to the research of the perfect balance between mind and body, between the eidetic universe of  thought and the material act contingent of the concrete sign where it could exercise radical and deep changes. Without any doubt, oriental civilizations hold supremacy in this difficult research, just let us think of the deep bond that joins  Zen philosophy to  martial arts or to the practices connected with them.
On the contrary, the western countries, because of a dualistic and dicothomic tradition of thought, from Platone through Cartesio, have  created a sharp division between  thinking and physical substance.
We may  ask if it  is therefore possible to place  art (even though it is already a kind of material translation) next to the sports practise in the research of intimate correspondence and prolific recalls.
For example can painting suggest and stimulate the  body care?
And can this one stimulate the human imagination?
Certainly it is possible to establish interesting parallelisms  between the two forms of approach to the human essence, as I believe  artist Davide Binello has been able to do with his cosmic panels.
An  essential preamble at the base of the elaboration of the form in the art work is  the concept of cosmic-primordial energy, where all the constituent parts of organic element could be found together.
Energy and balance between the form and the material of being find  their own origin in the universal macro-cosmos that provides the micro-cosmos of existing things with its sublime nature. Bright and inflamed colours find the absolute order in circular plans of solar body and among bright reticulates of their mysterious and geometric runs.
The bright blue of the sky has the eternal imprint of the moulding power, the  steady paradigm of  the creating burst, through which man researches the primary intersection point, between psychic
and physical welfare.

Laura Scaramozzino

www.clinicalpilates.it